Another book in the same series was devoted to the Cotswolds, but no copy has come down, and it is unknown whether the splendid Old Mill at Shipston-on-Stour Gloucestershire featured in it or not. The manner in which the subject itself has been pushed back into the middle distance to allow prominence to a wall and bridge in the foreground is again typical of Roulstone's approach.

A further drawing from 1954 is an interior of the attractive Victoria Hotel at Llanbedr Powys. Here two settles are prominently featured, as well as an inglenook and a principal beam; but the main focus is on a grandfather clock, and one wonders how many publicans today would run the risk of displaying such an object in a public room. Roulstone's drawing at least proves it was once there.

Most of Roulstone's earlier drawings were done with a mapping-pen and India ink, but well before 1957, when he drew the Lake Bank Hotel at Blawith, Cumbria he had switched to fountain-pens (and was to switch again later to fibre-tips). This drawing was one of a large number made in the Lake District over a period of some months, and featured in one of two books devoted to the region entitled Travellers Rest Around the English Lakes.